Milla is composed of classical letterforms, blended with personal and thoroughly considered details intrinsic to handwriting, letter-pressed type and botanical characteristics. Made to be legible for large and small type sizes and rich use cases. It emphasises a strong, functional glyph set that covers the major Latin languages and features a set of succinct ligatures.

1–3 people — 95 USD
4–10 people — 205 USD
11–20 people — 315 USD
20–45 people — 455 USD
> 45 people — please request
Students get a discount.

Released September 2024 
Production with Proof of Words 

The Basic License covers the use across all common mediums, including desktop, web, app, video and film, exclusively within your organization. The price is determined by the size of the end user’s organization (i.e. yours/your client’s company/studio), measured by the total number of people who work in the organization. If you purchase the font for multiple clients, each client needs a respective license. If you or your client outgrows the current license, an update is required. Kindly note my EULA for more information. If you need further assistance, please reach out.

Select spreads from issues No. 5, 6 and 7. For issue 5, I contributed photography and writing. Brasilia is a mono thematic, bilingual magazine on a small range of design and photo disciplines.

Creative teams: No.5: Pauline Lürig, Arne Meyer; No.6: Elisa Tran, Lucie Wendlandt; No.7: Nora Depner, Max Heinemann, Patrycja Kopinska, Gesa Krieter

Contributors include: Prof. Dr. Anja Baumhoff, Lucas Bäuml, Claudia Bump, Volker Crone, Philine Dorenbusch, Prof. Dr. Karen Fromm, Niklas Grapatin, Lando Hass, Jan Staiger, Julia Thomas, Malte Uchtmann, Figen Ünsal, Christian Werner, Ricardo Wiesinger

Including editorial design, art direction, photo editing, self executed photography, conducting interviews and commissioning writing and illustrations. Nebel is a culture magazine exploring feminism, gender and sexuality.

The Power Issue; edited with 17 articles, printed on 3 distinct papers

Cover photograph: in collaboration with Patrycja Kopinska

Contributors include: Alicja Boß, Evelina Müller, Dr. phil. Chris M., Vivian Rutsch, Luise Schlütsmeier, Ive Senkowski, Lisa Starke, Anna Stemmler, Jeremy Suyker, Roman Thomas, Elena Vonderau

Two custom wordmarks, color paper sourcing and design support for Jamie Perez’ Studio Marie, an interior design practice based in Brooklyn, NY. The identity is inspired by the tactile and intimate nature of Jamie’s practice; rich with a sense of materiality, featuring hand scanned papers, scissor furniture cutouts and Albers-esque woven layers.

AD: Jessi Brattengeier

Fonts: Söhne (Klim), Milla (me)

Studio Marie

Talbott & Arding is a cheese and provisions shop located in Hudson, NY. A primary character has been drawn for the custom wordmark, along with a range of additional ampersands to support the in-store and online experience. 

CD+Design: Jessi Brattengeier

Project Lead: Jorge Pardo
Brand Strategy: Rebecca Van de Sande

Fonts: GT Super (Grilli Type), Fold Grotesque (Colophon Foundry), Marfa Mono (ABC Dinamo)

Rutsch is asking questions surrounding the deaths of her seventeen-year-old sister and her father, the sexual abuse in her family and inadequate investigations. The book contains of photographs, diary entries, illustrations and texts.

Photography and text: Vivian Rutsch
Publisher: Kehrer Verlag, Heidelberg/Berlin, 2020

An architecture and interior design studio located in Hudson, NY. 

CD: Jessi Brattengeier

This font is derived from my first font, Super Tramp, which I released in 2021. The letterforms are based on the previous iteration and are undergoing a thorough transformation.

Select Press & Recognition
AIGA EoD

It’s Nice That 1, 2, 3, 4

The Brand Identity

Creative Boom

Femme Type
Typeone Issue 4
Slanted 1, 2
Bounty Hunters
The One Club 2023, 2025
Deutscher Design Club 2019, 2021
German Design Award 2022
Stack Awards London 2018, 2019